Rabbit Hole Full Movie Online No Survey

Movie Title : Rabbit Hole
Release Date : Dec 17, 2010 Limited
Genre Movie :Drama
Mpaa Rating : PG-13

Actors :Nicole Kidman,Aaron Eckhart,Dianne Wiest,Miles Teller,Tammy Blanchard,Sandra Oh,Giancarlo Esposito,Jon Tenney,Stephen Mailer,Mike Doyle,Roberta Wallach,Patricia Kalember,Ali Marsh,Yetta Gottesman,Colin Mitchell,Deidre Goodwin,Julie Lauren,Rob Campbell,Jennifer Roszell,Marylouise Burke

RABBIT HOLE is a vivid, hopeful, honest and unexpectedly witty portrait of a family searching for what remains possible in the most impossible of all situations. Becca and Howie Corbett (NICOLE KIDMAN and AARON ECKHART) are returning to their everyday existence in the wake of a shocking, sudden loss. Just eight months ago, they were a happy suburban family with everything they wanted. Now, they are caught in a maze of memory, longing, guilt, recrimination, sarcasm and tightly controlled rage from which they cannot escape. While Becca finds pain in the familiar, Howie finds comfort. The shifts come in abrupt, unforeseen moments. Becca hesitantly opens up to her opinionated, loving mother (DIANNE WIEST) and secretly reaches out to the teenager involved in the accident that changed everything (MILES TELLER); while Howie lashes out and imagines solace with another woman (SANDRA OH). Yet, as off track as they are, the couple keeps trying to find their way back to a life that still holds the potential for beauty, laughter and happiness. The resulting journey is an intimate glimpse into two people learning to re-engage with each other and a world that has been tilted off its axis. RABBIT HOLE is directed by John Cameron Mitchell (HEDWIG AND THE ANGRY INCH) from a script by acclaimed playwright David Lindsay-Abaire, adapted from his Pulitzer Prize-winning play. The cast, led by Academy Award winner Nicole Kidman (THE HOURS, Actress in a Leading Role, 2002) and Golden Globe nominee Aaron Eckhart, includes two-time Oscar winner Dianne Wiest (HANNAH AND HER SISTERS, Actress in a Supporting Role, 1986; BULLETS OVER BROADWAY, Actress in a Supporting Role, 1994), Tammy Blanchard, Miles Teller, Giancarlo Esposito, Jon Tenney and Sandra Oh. -- (C) Lionsgate
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User Ranting Movie Rabbit Hole : 3.6
User Percentage For Rabbit Hole : 69 %
User Count Like for Rabbit Hole : 30,170

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The problem with 'Rabbit Hole' is that it plays at one unrelentingly gloomy frequency: occasional moments of humour or tension are simply unable to puncture the overriding sense of oppressive sadness.
Tom Huddleston-Time Out

For all its sympathy and intelligence, Rabbit Hole is ultimately too safe an experience for such a free-form tragedy.
Peter Rainer-Christian Science Monitor

Rabbit Hole, directed with grace and surprising humor by John Cameron Mitchell, is a delicate tale that shares a great deal of the hurt of Robert Redford's Ordinary People.
Lisa Kennedy-Denver Post

As heavy, stressful, relentlessly sad dramas go, this one goes quite well.
Tom Long-Detroit News

John Cameron Mitchell directed, making an impressive detour in style and subject matter after his flamboyant Shortbus and Hedwig and the Angry Inch.
J. R. Jones-Chicago Reader

A tough, raw drama about wounds that heal only gradually, if at all.
Calvin Wilson-St. Louis Post-Dispatch

Rabbit Hole is hardly what you'd call a date movie, and it's difficult to see what kind of audiences it'd appeal to outside of awards season chin-strokers.
Ali Gray-TheShiznit.co.uk

John Cameron Mitchell's "Rabbit Hole" is a heart-breaking, somewhat depressing film that deals with one of the worst tragedies a couple can face. It is also one of the best films of the year.
Jeff Beck-Examiner.com

Contrived and manipulative
Dan Jardine-Daily-Reviews

Un drama íntimo y conmovedor, narrado con sobriedad, sin golpes bajos y con una profunda empatía y cariño por sus personajes. Dentro de un notable elenco se destacan las actuaciones de Nicole Kidman y Dianne Wiest.
Enrique Buchichio-Uruguay Total

Nicole Kidman and Aaron Eckhart give marvelous, shaded performances of grief-stricken parents attempting to move on without forgetting their pain.
Wesley Lovell-Cinema Sight

The actors don't flinch from the task and there is hope at the end, though it may feel like small reward after so much digging.
Stella Papamichael-Digital Spy

Doesn't quite make the leap from stage to screen with all its power
Robert Denerstein-Movie Habit

One of the very best films of 2010.
Drew McWeeny-HitFix

Director John Cameron Mitchell's restrained handling of the film's rawest moments keeps it from descending into soul-wrenching lamentations.
Fiona Williams-sbs.com.au

It might be that this material is simply better suited to the theater, with its enforced artificiality and its crackling, dragging blacks.
Philip Martin-Arkansas Democrat-Gazette

A very fine domestic drama that avoids the pitfall of becoming maudlin and offers many surprising little twists along the way.
Ken Hanke-Mountain Xpress (Asheville, NC)

When Nicole Kidman has full control of her facial muscles she is unrivaled in her ability to play cold, distant emotionally scarred bitches. Its a marvelous performance. That said, the film itself can be so anguished that you will need counseling upon exit
Marc Fennell-Triple J

a raw and complex character study that challenges our identification and sympathies at every turn
James Kendrick-Q Network Film Desk

Exquisitely raw and painful, sure, but also richly humane and deeply cathartic, for David Lindsay-Abaire's Pulitzer and Tony award winning play is nothing short of a masterpiece.
Alice Tynan-Concrete Playground

Quality drama, sure, but it doesn't go anywhere unexpected. For a film whose title evokes Alice's mysterious journey through Wonderland, it might have amounted to a little more.
Jason Di Rosso-MovieTime, ABC Radio National

John Cameron Mitchell has done an amazing job capturing the heart of these delicate characters.
Matthew Toomey-ABC Radio Brisbane

It's an unsentimental, occasionally amusing insight into two people who don't know how to become normal again. A very affecting and fine debut for Kidman as producer.
Margaret Pomeranz-At the Movies (Australia)

Rabbit Hole is a searing drama that, despite its bleak theme, bravely posits how even the deepest emotional abyss need not become a prison of depression and hopelessness.
Jim Schembri-The Age (Australia)

Rabbit Hole may sound bleak, and it surely is at times, but its refreshingly unhistrionic take on the subject coupled with Kidman's mammoth performance make it a rewarding experience.
Glenn Dunks-Trespass

Rabbit Hole is tender and sensitive where it counts, but also terminally tasteful. And there's nothing tasteful about grief.
Clem Bastow-The Vine

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Movie Overview For Rabbit Hole

Becca and Howie Corbett are a happily married couple whose perfect world is forever changed when their young son, Danny, is killed by a car. Becca, an executive-turned-stay-at-home mother, tries to redefine her existence in a surreal landscape of well-meaning family and friends. Painful, poignant, and often funny, Becca's experiences lead her to find solace in a mysterious relationship with a troubled young comic-book artist, Jason - the teenage driver of the car that killed Danny. Becca's fixation with Jason pulls her away from memories of Danny, while Howie immerses himself in the past, seeking refuge in outsiders who offer him something Becca is unable to give. The Corbetts, both adrift, make surprising and dangerous choices as they choose a path that will determine their fate.


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The Kids Are All Right Full Movie Online No Survey

Movie Title : The Kids Are All Right
Release Date : Jul 9, 2010 Wide
Genre Movie :Drama,Comedy
Mpaa Rating : R

Actors :Annette Bening,Julianne Moore,Mark Ruffalo,Mia Wasikowska,Josh Hutcherson,Yaya DaCosta,Kunal Sharma,Eddie Hassell,Zosia Mamet,Joaquin Garrido,Rebecca Lawrence,Lisa Eisner,Eric Eisner,Sasha Spielberg,James MacDonald,Margo Victor

The son of a same-sex couple seeks out the sperm donor who made his birth possible in this comedy from writer/director Lisa Cholodenko. The committed parents of two teenage children, Nic (Annette Bening) and Jules (Julianne Moore), are about to send their daughter, Joni (Mia Wasikowska), off to college when her younger brother, Laser (Josh Hutcherson), asks for her help in tracking down his biological father. Reluctantly inquiring with the sperm bank, Joni leaves her number so the office can pass it along to Laser's father. Enthusiastic at the thought of meeting his long lost offspring, Paul (Mark Ruffalo) musters the courage to reach out, and the family tree grows a new branch. ~ Jason Buchanan, Rovi
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User Ranting Movie The Kids Are All Right : 3.6
User Percentage For The Kids Are All Right : 72 %
User Count Like for The Kids Are All Right : 59,544

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Its emotional pull remains consistent to the end.
Rene Rodriguez-Miami Herald

Sophisticated and funny, but once you get past the unusual premise and the fact that the main couple is realistically portrayed, there's nothing surprising about it.
Eric D. Snider-Film.com

'The Kids Are All Right': Alt Sitcom Remains Smart Despite Conventional turn
Joe Baltake-Passionate Moviegoer

It's a terrific film.
Joe Williams-St. Louis Post-Dispatch

Definitions of family, love and friendship all get put to the test with wit and warmth in The Kids Are All Right, one of the year's most honest and endearing films.
Tom Long-Detroit News

Here are five gifted actors at the top of their games as five characters in search of what makes a family.
Carrie Rickey-Philadelphia Inquirer

Bening hoists this heavy-handed dramedy high with a burst of superhuman strength. And all you can do is sit in awe.
Al Alexander-The Patriot Ledger

A twist on the traditional family drama, where every character has depth and deserves redemption.
Wesley Lovell-Cinema Sight

The dialog seems like it was pulled from a magazine full of bad liberal clichés. It feels as if people who used to be progressives, but want people to think they still are wrote this movie.
Michelle Alexandria-Eclipse Magazine

This is very tricky material to parse, mainly because the movie is telling us one thing in dialogue and showing us quite another visually.
Dan Callahan-House Next Door

What it lacks in grandstanding and pandering to the 'issues', this film more than makes up for with its great story, rounded characters and genuine sense of fun.
Mike Edwards-What Culture

The Kids Are All Right is witty, touching and humane - and decidedly up to the minute.
Jason Best-Movie Talk

More of a breezy drama, as opposed to a weighty comedy... the ace up its sleeve, aside from its "modern family" plot device, is its characters, brought to life with welcome layers and depth by the cast.
Matt Neal-The Standard

How, despite such a talented, femme-centric cast, does Ruffalo's loveable idiot manage to walk off with the film?
Matt Glasby-Flicks.co.nz

Regardless of the orientations, 'The Kids Are All Right' is an all-American film.
Clay Cane-BET.com

The Kids Are All Right would have been a highly regarded, stinging family drama in the tradition of American Beauty and Ordinary People even if the subject family was not so proudly unorthodox.
Jordan Hiller-Bangitout.com

A bittersweet family dramedy that challenges the perceptions of the perfect family...
Felix Vasquez Jr.-Cinema Crazed

The combined troupe do a good enough job to make the movie get by, but not enough to mask the huge gears running the story, nor the accidental and ironic anti-progressiveness the movie has the potential to convey.
Jeffrey Chen-ReelTalk Movie Reviews

A long-form sitcom overly pleased with its own progressiveness.
Nick Schager-Lessons of Darkness

...All the pieces are in place--I just wish Cholodenko had been a little more precious about the execution.
Bill Chambers-Film Freak Central

Without any humor in the story, this would be a very sad story about a destructive mix of personalities causing havoc in a family. But the film does have a lot of humor in it.
Robert Roten-Laramie Movie Scope

full review at Movies for the Masses
Joseph Proimakis-Movies for the Masses

Una sensible comedia dramática sobre la falta de certezas (o la eterna búsqueda de ellas) que implica formar una familia, más allá de definiciones y preferencias sexuales. Excelente elenco en el que brilla especialmente Annette Bening.
Enrique Buchichio-Uruguay Total

if it wasn't for the distractingly wall-to-wall indie soundtrack... and mildly cop-out ending, I'd be pushing this straight to the top end of our Best of 2010 list.
Charlie Lyne-Ultra Culture

The Kids Are All Right is warmly recommended to anyone in search of smart, grown-up entertainment.
Allan Hunter-Daily Express

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The City of Lost Children is a fantasy science fiction film from Jean-Pierre Jeunet about a scientist who kidnaps children and steals their dreams.


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127 Hours Full Movie Online No Survey

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Tabloid Full Movie Online No Survey

Movie Title : Tabloid
Release Date : Jul 15, 2011 Limited
Genre Movie :Documentary,Special Interest
Mpaa Rating : R

Actors :Joyce McKinney,Jackson Shaw,Peter Tory,Troy Williams,Kent Gavin,Jin Han Hong,Mark Lipson,Julie Bilson Ahlberg

Thirty years before the antics of Lindsay Lohan and Britney Spears were regular gossip fodder, Miss Wyoming Joyce McKinney made her mark as a tabloid staple ne plus ultra. Morris follows the salacious adventures of this beauty queen with an IQ of 168 whose single-minded devotion to the man of her dreams leads her across the globe, into jail, and onto the front page. Joyce's labyrinthine crusade for love takes her through a surreal world of kidnapping, manacled Mormons, risqué photography, magic underwear, and celestial sex-until her dream is finally realized in a cloning laboratory in Seoul, South Korea. By turns funny, strange, and disturbing, Tabloid is a vivid portrayal of a phenomenally driven woman whose romantic obsessions and delusions catapult her over the edge into scandal sheet notoriety and an unimaginable life. -- (C) IFC Films
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User Ranting Movie Tabloid : 3.5
User Percentage For Tabloid : 74 %
User Count Like for Tabloid : 10,504

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Operates as both an examination of the dominating media mentality at the time and an embodiment of it, no less keen on delving into the juicy details now as tabloid rags were then.
William Goss-Film.com

This is a lighter, less significant work than his 'Standard Operating Procedure' or 'The Fog of War', but it's engrossing and pleasingly slippery with the facts.
Trevor Johnston-Time Out

Errol Morris is a genius, a gifted documentarian who has made better movies than "Tabloid," but none so entertaining.
Bill Goodykoontz-Arizona Republic

"Tabloid" is tantalizing, but like yesterday's headlines, it's a fleeting flirtation.
Joe Williams-St. Louis Post-Dispatch

Though the events Tabloid recounts took place in the pre-digital age, the film also functions as a kind of prehistory of modern celebrity culture and tabloid journalism.
Dana Stevens-Slate

Morris's subject is sexual fantasy and a particular kind of American stupidity-the ability to substitute self-justification for self-knowledge. His tone is merry.
David Denby-New Yorker

Mesmerizing...In Joyce McKinney, Morris has found a fittingly weird and funny muse
Roger Moore-McClatchy-Tribune News Service

Morris gets to have his cake and eat it.
Alistair Harkness-Scotsman

It's a bizarre "where are they now?" story of a rather unedifying kind, and one feels ashamed of laughing at this sad exhibitionist.
Philip French-Observer [UK]

Morris suggests that you can sometimes find profundity in triviality - and though Joyce condemns herself out of her own mouth, it is always possible to feel sorry for a woman whose obsession has so totally ruled her life.
Derek Malcolm-This is London

A vivid picture of the way we lived then.
Peter Bradshaw-Guardian [UK]

McKinney is no Robert McNamara, but there are lessons to be learned from this fog of sleaze.
Matt Bochenski-Little White Lies

Morris's doc is less about What Really Happened than exploring the lifespan of one of those stories that kept on giving.
Tim Robey-Daily Telegraph

[Morris] tells us nothing about the prurience and gutter morality of the tabloid newspaper industry that Britons haven't heard every day and that the world, in the Murdochgate era, is now hearing likewise.
Nigel Andrews-Financial Times

Compelling, weird and queasy documentary on the eccentric Joyce McKinney and her stranger-than-fiction story.
Dennis Schwartz-Ozus' World Movie Reviews

A truly bizarre tale, Tabloid is enjoyable but not as compelling as some of Morris' previous documentaries...
Raaj Rana-Sky Movies

A bizarre coda turns what begins as a playful exposé of the British media's sensationalist excesses into a surreal voyage into a warped mind no reporter could invent.
Neil Smith-Total Film

A compelling story told with Morris's usual flair.
Patrick Peters-Empire Magazine

Tabloid is such a mirthful, fascinating and fantastically entertaining documentary that you can't help but get caught up in all the sordid fun
Tom Clift-Moviedex

McKinney is mesmerizing: the vain, expressive, motormouthed star of an elaborately structured drama of self that qualifies as one of the more astonishing first-person cinematic tours de force since 'Eddie Murphy Raw.'
John Beifuss-Commercial Appeal (Memphis, TN)

...fairly lightweight. But it's nevertheless one of the most entertaining movies that will hit theaters this year.
Philip Martin-Arkansas Democrat-Gazette

A lot of fun; Morris himself is clearly unconvinced about Joyce -- and no wonder -- but she's a funny woman and hers is a ripping yarn if ever there was one.
David Stratton-At the Movies (Australia)

Expertly guided by Errol Morris, and featuring a wholly compelling subject, this is a fascinating exploration of truth and memory.
Travis Johnson-FILMINK (Australia)

Errol Morris hits the doco jackpot with a story that is both resoundingly human and resoundingly ironic about an ex beauty queen with a shady past who falls in love with Kirk Anderson, a young man whose strict religion forbids sex
Andrew L. Urban-Urban Cinefile

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Movie Overview For Tabloid

A documentary on a former Miss Wyoming who is charged with abducting and imprisoning a young Mormon Missionary.


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Certified Copy (Copie Conforme) Full Movie Online No Survey

Movie Title : Certified Copy (Copie Conforme)
Release Date : Mar 11, 2011 Limited
Genre Movie :Art House & International,Drama
Mpaa Rating : Unrated

Actors :Juliette Binoche,Jean-Claude Carriere,Agathe Natanson,William Shimell,Gianna Giachetti,Adrian Moore,Angelo Barbagallo,Andrea Laurenzi,Filippo Troiano,Manuela Balsimelli

Juliette Binoche won the Best Actress prize in Cannes for her performance in this playful and provocative romantic drama from legendary auteur Abbas Kiarostami (TASTE OF CHERRY, THE WIND WILL CARRY US), his first feature made outside of Iran. Binoche plays a gallery owner living in a Tuscan village who attends a lecture by a British author (opera star William Shimell) on authenticity and fakery in art. Afterward, she invites him on a tour of the countryside, during which he is mistaken for her husband. They keep up the pretense and continue on their afternoon out, discussing love, life and art, and increasingly behaving like a long-married couple. But are they play-acting on a whim, or is there more to their seemingly new relationship than meets the eye? -- (C) IFC
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User Ranting Movie Certified Copy (Copie Conforme) : 3.6
User Percentage For Certified Copy (Copie Conforme) : 69 %
User Count Like for Certified Copy (Copie Conforme) : 5,677

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. The basic plot - a man and a woman traveling and talking - is reminiscent of Richard Linklater's Before Sunrise/Before Sunset films, but the way in which Certified Copy calls into question the nature of reality is more akin to Inception.
James Berardinelli-ReelViews

The conclusion is abrupt and unsatisfying, but the philosophical dialogue Kiarostami manages to keep aloft for well over an hour touches on intriguing questions of openness, self-honesty, and personal freedom.
J. R. Jones-Chicago Reader

The movie threatens to become a sketch about a coquette and a boor squabbling at each other to little effect.
John Hartl-Seattle Times

"Certified Copy" promises more than it delivers, but the limited portions are fresh.
Joe Williams-St. Louis Post-Dispatch

There's a divinely comical lightness to Binoche here: Even in states of conniption and complaint, she's floating, albeit manically.
Wesley Morris-Boston Globe

Certified Copy is a slighter but more ingratiating film and a chance to see a master filmmaker in uncharacteristic playful mode.
Liam Lacey-Globe and Mail

Abbas Kiarostami's Tuscan sun-dappled enigma is the cinematic gift that is going to keep on giving for decades.
Christopher Long-Movie Metropolis

Binoche and Shimell keep us fully engaged with their characters throughout their conversations, and Kiarostami draws us in with his signature mixture of long takes and intimate close-ups
James Kendrick-Q Network Film Desk

...impossibly romantic.
Josh Larsen-LarsenOnFilm

I could assess the performances (Juliette Binoche is better than ever). ... But I can't treat Certified Copy with a critic's typical detachment. I'm in love with it.
Jeffrey Overstreet-Looking Closer

Kiarostami has woven together a veritable tapestry of the mind: here a stray thought, there an oft-disputed theory.
Michael Nordine-Film Threat

Tal vez intentar buscar respuestas a tantas preguntas sea no sólo una pérdida de tiempo sino contradecir el discurso sin ataduras que nos propone Kiarostami, lleno de interrogantes que no pretenden ser respondidas.
Enrique Buchichio-Uruguay Total

Kiarostami is quick to stimulate the mind but not the heart; as a result he never finds a comfortable balance between intellect and emotion, leaving Copie Conforme feeling chilly and distant.
Simon Reynolds-Digital Spy

It may be merely a copy of life, but in its power, mystery, confusion and emotional resonance, 'it leads us to the original.'
John Beifuss-Commercial Appeal (Memphis, TN)

The only thing I can say for certain is that we can put our trust in the hands of a master filmmaker like Kiarostami, who engages the mind at the same time he pierces the heart. "Certified Copy" is the real deal.
Rob Thomas-Capital Times (Madison, WI)

It's like watching the two halves of Blue Valentine playing simultaneously.
Margot Harrison-Seven Days

... an elliptical, unresolved story that may frustrate those who want all accounts balanced by the end of the day.
Philip Martin-Arkansas Democrat-Gazette

So absorbing a work of such obvious mastery on all levels that one comes away immediately certain that the medium has just clicked up another notch.
Rob Humanick-Projection Booth

If the term "arthouse" usually makes you cringe, [...] you'd better stop reading this and see what else is playing.
Dan Gear-Moviedex

Were it not for the transcendent presence of Binoche (and her transfixing cleavage), I suspect Certified Copy might feel even more like homework.
Marjorie Baumgarten-Austin Chronicle

Sophisticated aspirations are realized without strain
Robert Denerstein-Movie Habit

Spoken in three different languages, with various coffee, wine, and bread products consumed by the characters, it satisfies on almost every level.
Grae Drake-Movies.com

The best way to look at this is as an acting exercise. As long as your patience holds, it's mildly diverting.
Kelly Vance-East Bay Express

Prompts many questions about the true nature of art and love, not all of them answered.
Michele Kenner-Milwaukee Journal Sentinel

It's fascinating, entertaining, strangely romantic.
Ken Hanke-Mountain Xpress (Asheville, NC)

New Movie Images Certified Copy (Copie Conforme)

Movie Overview For Certified Copy (Copie Conforme)

In Tuscany to promote his latest book, a middle-aged English writer meets a French woman who leads him to the village of Lucignano.


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Nenette Full Movie Online No Survey

Movie Title : Nenette
Release Date : Dec 22, 2010 Limited
Genre Movie :Documentary,Drama,Art House & International
Mpaa Rating : Unrated

Actors :

She's a 40-year-old longtime Parisian, with an unruly mop of red hair and soulful, close-set dark brown eyes. Nénette is introspec- tive, perhaps melancholic, but beloved by those who visit her daily. After "having worn out three husbands" and given birth to four children, she's convalescing from major surgery, and looks forward to life's simple pleasures, like tea and yogurt at 4:30 each afternoon. Nénette is an orangutan in the famed Jardin des Plantes Exotiques zoo, and acclaimed documentarian Nicolas Philibert (TO BE AND TO HAVE) captures her day-to-day routine in this charming, poignant and wonderfully funny portrait. She's one of our closest relations -- the one with an enviable chunk of Paris real estate to call her own. 600,000 people file past Nénette's cage annually: admiring her, commenting on her appearance, wondering what her deepest thoughts may be, speculating on whether she misses the forests of Borneo where she was born in 1969. Anyone who has ever indulged themselves at the zoo by watching a favored animal for an extended period of time -- observing its daily routine, its whims, and personality traits - will get a huge kick out of NÉNETTE.-- (C)
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User Ranting Movie Nenette : 3.3
User Percentage For Nenette : %
User Count Like for Nenette : 196

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The collection of images and tidbits of information raise interesting questions about keeping animals in captivity.
Stephanie Merry-Washington Post

The persistent gaze in both directions raises unanswered questions about captivity and voyeurism.
Joe Williams-St. Louis Post-Dispatch

For all but the most devoted animal watchers, the film may come across as slow and repetitive.
Moira MacDonald-Seattle Times

Small details are magnified by Philibert's long, quiet takes, and Nénette's mundane human characteristics make us consider our own lives and how we relate to the natural world.
David Jenkins-Time Out

Zoo creatures seem like funny caricatures during a short visit. After 67 minutes of observation, Nénette seems stuck in a dreamlike limbo, disconnected from the world, going through the motions, waiting patiently to die.
Peter Hartlaub-San Francisco Chronicle

Philibert's film finds a rather contemplative creature. Her mood complements his.
Wesley Morris-Boston Globe

The projection and anthropomorphic comments are truly fascinating.
Liz Braun-Jam! Movies

This is a touching movie that reminds viewers of the fact that the chasm between humans and the rest of the animal kingdom isn't always as wide as readily accepted.
Matt Brunson-Creative Loafing

It's a wonderfully moving meditation on the capacity of animals to inspire our imaginations and something applicable to educational markets as well as regular documentary audiences.
Sara Maria Vizcarrondo-Boxoffice Magazine

Philibert's deliberately ambiguous film is likely to have a similar effect on viewers; whatever conclusions you draw from it will depend a great on what you bring to the experience.
Sarah Boslaugh-Playback:stl

Philibert is a master of this kind of minimalistic filmmaking and he's found a perfect subject in Nénette who becomes more of an enigma as the film progresses.
Alistair Harkness-Scotsman

It's an absorbing, contemplative film that compels us to participate rather than just sit back and look.
Philip French-Guardian [UK]

Surprisingly engaging, thought-provoking and impressively minimalist documentary, although it does eventually feel like you've just spent an hour and ten minutes in the monkey house.
Matthew Turner-ViewLondon

It's impossible to watch Nicolas Philibert's new film without a Darwinian frisson of anxiety, and an animal-liberationist spasm of rage.
Peter Bradshaw-Guardian [UK]

Nicolas Philibert's film is at once a humbling, enlightening experience.
Adam Woodward-Little White Lies

To watch the film is not just to watch Nénette, but to watch the very act of watching.
Sukhdev Sandhu-Daily Telegraph

As I watched the film I thought of an odd analogy. Nenette is like Garbo - she's a blank slate that people read anything into and are endlessly fascinated by.
Beth Accomando-KPBS.org

While the minimalist close-up technique used is audacious and the vocal interjections are alternately educational, amusing, sentimental and provocative, this is never entirely compelling.
David Parkinson-Radio Times

There may be actual experts - not just zoo carers and keepers - who know about animal behaviour pattern and brain activity. Couldn't we have heard from them?
Nigel Andrews-Financial Times

If the tea-drinking Nénette remains an enigmatic figure, Philibert makes fascinatingly clear how we humans project our own feelings and thoughts onto her.
Tom Dawson-Total Film

A gently moving film that's always thought-provoking if at times a little slow going.
David Parkinson-Empire Magazine

Nicholas Philibert's film is a heartfelt and wondrously respectful homage to this magnificent species.
Beverly Berning-culturevulture.net

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Mesrine: Part 1 (Killer Instinct) and Part 2 (Public Enemy #1) Full Movie Online No Survey

Movie Title : Mesrine: Part 1 (Killer Instinct) and Part 2 (Public Enemy #1)
Release Date :
Genre Movie :Art House & International,Action & Adventure
Mpaa Rating : Unrated

Actors :

Unrated
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Everything about the second half is snappier, especially the acting...
Joshua Rothkopf-Time Out New York

Cassel injects a jolt of wild energy and ambiguity into what could easily have been another flatulent, apologist gangster epic.
David Jenkins-Time Out

It's so killer, it makes Part 1 seem like nothing but a flesh wound.
Al Alexander-The Patriot Ledger

A French crime-gangster film of epic proportions
Emanuel Levy-EmanuelLevy.Com

Together, these two films represent a thinking-man's gangster movie. They contain the self-reflection and real-life grit, but without ponderous self-indulgence.
Mike Edwards-What Culture

A restless character study in which an otherwise unremarkable individual, tossed by the tides of fate, emerges unexpectedly as remarkable, but in all the wrong ways
Wade Major-Boxoffice Magazine

a fascinating true-life story that suffers only from trying too hard to be completely true to life.
Todd Gilchrist-Cinematical

French actor Vincent Cassel, as Mesrine, delivers in spades.
Beverly Berning-culturevulture.net

vi%u0161e nego dobar primjer gangsterskog filma
Dragan Antulov-Draxblog Movie Reviews

Mesrine is a lean, flashy, fast-moving, somewhat repetitive film, very French in some ways, yet lacking the gravitas of the crime movies starring Jean Gabin or directed by Jean-Pierre Melville.
Philip French-Observer [UK]

Richet's punchy style doesn't add anything new to the conventional, Scorsese-inspired way of presenting gangster movies, but it's well done, giving the film a constant supply of energy.
Edward Porter-Sunday Times (UK)

A film that doesn't necessarily glamorise its subject, though it does seems worryingly enamoured by his achievements. This is ultimately closer to a slice of over-board entertainment than an insight into a despicable, if extraordinary man.
Jim Hall-Film4

Muscular, forthright storytelling, hard-smoking, hard-drinking action, horribly incorrect attitudes, brutality with a top-note of self-loathing, bushy moustaches and a cracking lead performance.
Peter Bradshaw-Guardian [UK]

Killer Instinct and Public Enemy can't escape the shadow of the films they might have been. Both earn their place in the gangster canon. But not even Jacques Mesrine can escape the constraints of cinema.
Matt Bochenski-Little White Lies

A shotgun blast of a crime thriller; a dizzying, violent, and terrifying thrill ride.
Rob Daniel-Sky Movies

Though it touches on some wider issues, Mesrine really just wants to be a classy, exciting genre movie. In this it succeeds perfectly.
Matt Bielby-Filmstar Magazine

Cassel's Jacques Mesrine is pieced together from gritty shards of believability, a street-real mosaic no one tries to smooth and polish. For that reason he and it have the sharp edges and septic menace of life.
Nigel Andrews-Financial Times

There's an inevitable air of unfinished business hanging over this first instalment, though it moves at a tidy lick and conjures an atmosphere rank with Gauloises and greed.
Anthony Quinn-Independent

Cassel surely deserves Oscar and Bafta consideration for a level of acting that dominates every frame of an exceptional thriller that easily surpasses any recent American efforts in this genre.
Allan Hunter-Daily Express

With a riveting performance by Cassel at the centre, it's definitely worth seeing, even if it never really gets beneath the skin.
Rich Cline-Shadows on the Wall

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